An American tourist in Greece finds himself on the run after a tragic accident plunges him into a political conspiracy that makes him a target for assassination.

Oscar Wilde is a married playwright who has occasionally indulged his weakness for male suitors. After much toil, Wilde debuts 'The Importance of Being Earnest' in London, and a chat at the theatre with Lord Alfred 'Bosie' Douglas leads to a full-fledged romance. However, this affair leads to a legal dispute with Lord Alfred's oppressive father, the Marquess of Queensberry, and, given the local anti-gay laws, Wilde is jailed. Wilde's vast intellect helps him survive until he regains his freedom.

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After the death of a mutual friend, six people try to escape their bleak lives in the German-Belgian-Luxembourg border region. When one of them hijacks a bus, more or less by chance, they embark on a journey that takes them further and further away from the dreams and illusions of their everyday lives.

Catching the eye of a wealthy gentleman, spunky Ha-won gets hired to live with his three immature grandsons so she can whip them into shape.

Four distinct individuals — a filmmaker charting an autumnal trail of leaves, a mysterious girl wandering through the labyrinths of creation, a woman immersed in poignant reminiscences of autumns past, and a man devoted to nurturing the void left by a departed tree — converge in the multifaceted, polymorphic realm of Jorge Listopad (1921-2017), poet, essayist, teacher, mentor, theatre and television director, husband and father.

One of the best from the series of Beckett on Film. 　　 　　Endgame was written (by Samuel Beckett) in French in 1957. Hamm, who is blind and unable to walk, and Clov, Hamm's servant, occupy 'a bare interior'. Nagg and Nell, Hamm's parents, are in dustbins in a corner, and sometimes pop up to talk. Clov looks out of the two small windows with a telescope. The world outside seems dead and grey. Daily rituals are performed ad nauseam. 'Why this farce, day after day?' asks Nell. Hamm and Clov have both 'had enough'. They repeatedly discuss whether or not Clov will leave, and why he stays. Hamm asks Clov to kill him, but he won't. However, Nell dies. Finally, Clov says he's leaving once again and returns 'dressed for the road', but he stands watching Hamm until the curtain falls. 　　 　　Synopsis most from: http://www.beckettonfilm.com/plays/endgame/synopsis.html 　　 　　Script 　　http://samuel-beckett.net/endgame.html 　　 　　Other useful link: 　　http://web.channel4.com/learning/main/netnotes//programid1680.htm

One of the best from the series of Beckett on Film. 　　 　　Endgame was written (by Samuel Beckett) in French in 1957. Hamm, who is blind and unable to walk, and Clov, Hamm's servant, occupy 'a bare interior'. Nagg and Nell, Hamm's parents, are in dustbins in a corner, and sometimes pop up to talk. Clov looks out of the two small windows with a telescope. The world outside seems dead and grey. Daily rituals are performed ad nauseam. 'Why this farce, day after day?' asks Nell. Hamm and Clov have both 'had enough'. They repeatedly discuss whether or not Clov will leave, and why he stays. Hamm asks Clov to kill him, but he won't. However, Nell dies. Finally, Clov says he's leaving once again and returns 'dressed for the road', but he stands watching Hamm until the curtain falls. 　　 　　Synopsis most from: http://www.beckettonfilm.com/plays/endgame/synopsis.html 　　 　　Script 　　http://samuel-beckett.net/endgame.html 　　 　　Other useful link: 　　http://web.channel4.com/learning/main/netnotes//programid1680.htm